Showing posts with label Laos. Show all posts
Showing posts with label Laos. Show all posts

Wednesday, September 16, 2009

The Photography of Alison Wright

An extraordinary woman called Alison Wright. On January 2, 2000 Alison’s life was nearly cut short during a horrific bus accident on a remote jungle road in Laos. Alison’s recent memoir, “Learning to Breathe; One Woman’s Journey of Spirit and Survival,” chronicles this inspirational story of survival and years of rehabilitation, and her ongoing determination to recover and continue traveling the world as an intrepid photojournalist.

Here is a synopsis of the story: http://outside.away.com/outside/features/200502/alison-wright_1.html

www.alisonwright.com

Saturday, July 4, 2009

Bolaven Plateau

"The Bolaven Plateau in southern Laos is a poor, but fertile agricultural area known for its coffee plantations and spectacular waterfalls. Various coffee growing co-operatives are now established growing the coffee beans for domestic Cafe Lao and export abroad.The main ethnic group living in the Bolaven Plateau are the Laven people - Bolaven literally means the "home of the Laven".The Bolaven Plateau was heavily bombed during the Vietnam War and unexploded ordinance (UXO) is still being found and diffused. The French first introduced coffee to the area when Laos fell under French colonial rule in the late 19th and early 20th centuries.An area of fantastic, natural beauty the Bolaven Plateau is slowly escaping its grinding poverty with the help of fair trade initiatives and a nascent tourist industry."

Laos: Plain of Jarres

Friday, May 15, 2009

Mekong: Milton Osborne

A popular account of some of the historical highlights of exploration and development along the Mekong, Milton Osborne's offering is as much travelogue as history. For the more recent material he draws on forty years personal involvement with Southeast Asia, focusing on development issues; for the earlier period he is most fascinated by the history of European exploration. The result is episodic and personal, but also readable and informative.

http://www.amazon.com/Mekong-Turbulent-Past-Uncertain-Future/dp/0802138020

Monday, May 11, 2009

Wednesday, May 6, 2009

Ethnic Minority Music of Southern Laos

This is a collection of landmark recordings by Laurent Jeanneau documenting music created by the Harak and various Brao ethnic groups in Southern Laos. Here you can hear the true historic roots of Molam music (now a venerable popular music style in Laos and Thailand) played on the Khaen along with vocal styles from this region. Also featured here are Gong ensembles, various stringed instruments, cymbals, drums, and sung poetry all captured live on location with the ambient sounds of the surrounding villages. These recordings were made in Xekong, Champasak and Attapeu provinces and because much of this music is unknown, this is probably the first time recordings have ever been released of indigenous music from these remote areas of Southern Laos.


http://www.sublimefrequencies.com/item.asp?Item_id=39&t=Ethnic-Minority-Music-of-Southern-Laos

SUBLIME FREQUENCIES is a collective of explorers dedicated to acquiring and exposing obscure sights and sounds from modern and traditional urban and rural frontiers via film and video, field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, and other forms of human and natural expression not documented sufficiently through all channels of academic research, the modern recording industry, media, or corporate foundations. SUBLIME FREQUENCIES is focused on an aesthetic of extra-geography and soulful experience inspired by music and culture, world travel, research, and pioneering recording labels.

Monday, April 20, 2009

Big Brother Mouse


Photo courtesy of the author.

http://www.bigbrothermouse.com/

An organization dedicated to bringing books to the people of Laos, and in particular to the children in small, remote villages. An organization that employs enthusiastic young Laotians as writers and artists, and publishes colourful books that make it fun and easy for Lao people to learn to read.

Wednesday, December 31, 2008

Leaving Luang Prabang


The Baci Ceremony

Briefly the Baci is a ceremony to celebrate a special event, whether a marriage, a homecoming, a welcome, a birth, or one of the annual festivals. A mother is given a baci after she has recovered form a birth, the sick are given bacis to facilitate a cure, officials are honored by bacis, and novice monks are wished luck with a baci before entering the temple. The Baci ceremony can take place any day of the week and all year long, preferably before noon or before sunset. The term more commonly used is su kwan, which means “calling of the soul”.

http://www.laoheritagefoundation.org/ceremonies/baci.jsp

Friday, December 26, 2008

The Meditation Boat

ANN HAMILTON presents The Meditation Boat

During her first visit to the city in August 2005, she was struck by the flow of the Mekong River, which became for her “a visual embodiment and confluence of cultural currents, where a traditional past mixes with the modern present.” She also visited four monasteries in the forests surrounding the city, each of which included a long, narrow building designed specifically for walking meditation. Inspired by these structures, she decided to design a boat for spiritual meditation by the monks and novices of Luang Prabang. The architects Laurent Rampon and Yushi Kawaguchi, along with Jean-Pierre Cuomo, refined her designs, and the boat builder Sichan Phongsavath and his team at the boatyard in Luang Prabang built the vessel. The boat was blessed in a ceremony at the stairs of Vat Xieng Thong on the Mekong, on October 9, 2006, by Phra Acharn One Keo Sitthivong, five monks, and three novices as well as more than fifty participants.

"Our physical bodies are repositories for cultural knowledge and memory inherited, repeated, and passed down through generations. The role of an artist is often to address specific actions and processes through which this cultural knowledge is physically embodied. It can be recognized in the quotidian rhythms and patterns of walking, sewing, weaving, or writing—patterns that in their familiarity can become invisible or lost when not perceived. How can art help us attend to what is becoming lost or eclipsed under the pressures and force of a globalized world? How can an artwork participate in local and daily traditions and help us to see ways in which such rhythmic patterns of quietude remain relevant? These two boats address such questions. Linked physically together, they also link the present to the past, the sacred to the secular, silence to voice. Within this visual and aural relationship, they demonstrate a practice in this place for this time."

http://www.thequietintheland.org/laos/project_hamilton.html
http://www.thequietintheland.org/laos/category.php?id=ann-hamilton
http://www.annhamiltonstudio.com/
https://www.artsy.net/artist/ann-hamilton 

The meaning of the Tak Bat

The Tak Bat is a profound expression of generosity, a cardinal virtue for the Lao people, and is a significant source of religious merit for the Buddhist community. It is probably the closest religious interaction between lay people and monks. Whenever it is performed, it is done with a profound sense of beauty and affection, with piety, care, thoughtfulness, and with deep commitment. Most of the Buddhist believers of Luang Prabang practice this ritual every morning. At sunrise, they prepare the offerings by cooking the rice and kneeling on a mat, in silence, waiting for the monks to approach, their heads and feet bare in humility. They quickly and silently place a small amount of rice in the monks’ alms bowl without making eye contact. Sometimes cakes and fruits are offered. They practice this generous act with joy knowing that it will benefit them, their living or departed relatives, and all beings.

For their part, the monks meditate on impermanence and on the meaning of the offerings they receive, which symbolise their intentional poverty, humility, and dependency on the lay community for their material needs. When they return to the monastery, they share the rice, accompanied by other dishes prepared by the community. They eat this first meal of the day in silence.

Friday, November 14, 2008

Khong Island: Auberge Sala Done Khong

Room Number 10. A room with a pretty terrace overlooking the Mekong on Khong Island in southern Laos. Auberge Sala Done Khong is an old french style colonial home.

Tuesday, November 11, 2008

Champassak, Southern Laos



Picture taken just before dusk on the 10th of November, 2008

Friday, October 24, 2008

Makphet in Vientianne



The street children phenomenon increases rapidly worldwide. In 2001, the United Nations estimated that the street children population (3 to 18 years of age) worldwide was 150 million, with the number rising daily. Approximately 40% of these children are homeless and the other 60% work the streets to support their families. Some sources estimate that this number will increase to 800 million by the year 2020.

Since 1994, Friends-International has been running projects worldwide for and with street children. Check out their restaurant in Vientian: MakPhet is a charity-run restaurant aiming to train the area’s street children in the hospitality industry. Professional chefs from around the world have volunteered their time in developing the menus and training the staff.

Behind Wat Ong Teu, parallel to Sethathirat Road, Vientiane, Lao PDR

Monday, October 20, 2008

The Quiet in the Land


Photography: Hans Georg Berger

The Quiet in the Land is a series of community-based art and education projects initiated by the contemporary art curator and historian France Morin in 1995, in a search for a way of working that would reaffirm the potential of contemporary artists as catalysts of positive change. This new way would possibly open up a new language for speaking about the relationship between art and life, in which the standard definitions of such terms as artist, community, and work of art would perhaps no longer be adequate.

Wednesday, October 15, 2008

4000 Islands in Southern Laos



This region is called "Si Phan Don", which in Lao means "4000 islands".

Saturday, October 4, 2008

Prince Nithakhong Somsanith

Prince Nithakhong Somsanith is not your typical prince. He is one of the last gold thread embroiderers in the ancient tradition of the court of Luang Prabang, former kingdom of Laos.

This art and its techniques used to be passed on from one generation to the next, from mother to daughter of noble birth. Prince Somsanith started his apprenticeship at an early age from his grandmother, with whom he spent time during hot summer days. It was there that he was introduced to and helped with intricate and tedious embroidery tasks.

http://www.princesomsanith.com/