Ethnic Minority Music of Southern Laos

This is a collection of landmark recordings by Laurent Jeanneau documenting music created by the Harak and various Brao ethnic groups in Southern Laos. Here you can hear the true historic roots of Molam music (now a venerable popular music style in Laos and Thailand) played on the Khaen along with vocal styles from this region. Also featured here are Gong ensembles, various stringed instruments, cymbals, drums, and sung poetry all captured live on location with the ambient sounds of the surrounding villages. These recordings were made in Xekong, Champasak and Attapeu provinces and because much of this music is unknown, this is probably the first time recordings have ever been released of indigenous music from these remote areas of Southern Laos.


http://www.sublimefrequencies.com/item.asp?Item_id=39&t=Ethnic-Minority-Music-of-Southern-Laos

SUBLIME FREQUENCIES is a collective of explorers dedicated to acquiring and exposing obscure sights and sounds from modern and traditional urban and rural frontiers via film and video, field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, and other forms of human and natural expression not documented sufficiently through all channels of academic research, the modern recording industry, media, or corporate foundations. SUBLIME FREQUENCIES is focused on an aesthetic of extra-geography and soulful experience inspired by music and culture, world travel, research, and pioneering recording labels.

The Kaffirs in Sri Lanka: lost tribes of Africa

"Ingenious as they are, the men are far from being industrious. A great portion of their time is spent in visiting and gossip, of which they are exceedingly fond. They are perfect masters of that kind of argument which consists in parrying a question by means of putting another. They are not strict observers of truth, and, though not pilferers, they are addicted to cattle lifting. According to their ideas, stealing cattle is not a crime; it is a civil offence, and a thief when detected is compelled to make ample restitution; but no disgrace attaches to it, and they have no religious scruples concerning it."
Unknown Author - http://www.sacred-texts.com/afr/xft/xft03.htm

Portuguese seafarers carried the first kaffirs to what was then Ceylon in the 1500s, most likely from Mozambique. Later, British colonists brought others to fight against Ceylonese armies in "kaffir regiments."

Whatever their African origins, the Kaffirs were exposed to and have assumed Portuguese culture. Not surprisingly, there was intermarriage between the Portuguese Burghers and Kaffirs who belonged to the same culture set ; they spoke Sri Lanka Portuguese Creole and were Roman Catholics. In addition to physical features -- some Sri Lankan kaffirs wear braids or Afro hairstyles and have retained remnants of their African heritage in dance, music & speech.

In Sri Lanka, the several hundred kaffirs live among the palm trees around Puttalam on the northwest coast and near the eastern city of Batticaloa. These Kaffirs perform African songs in a creolized Portuguese.